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Fine Art Collector | Autumn 2018

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Fine Art Collector | Autumn 2018

WASHINGTONGREEN.CO.UK FINE ART COLLECTOR AUTUMN 2018

SAY HELLO TO GEN Z YELLOW

THE GENERATION GAME KAREN HALLER COLOUR PSYCHOLOGIST EXPLAINS ALL

TALK TO THE ANIMALS ROBERT OXLEY

WHAT’S HOT FOR AUTUMN/WINTER 2018 Autumn 2018 RESURGENCE OF ART IN POP CULTURE

A BRUSH WITH STYLE INTERVIEW WITH CHARLOTTE COSBY

吳靜茹

WU CHING JU

AVAILABLE NOW Limited Edition Bronze Sculptures

From the

Editor As we move into autumn, with winter not far away, we may be mourning the loss of the long summer evenings and bright blue- skied mornings, but we have much to look forward to from the coming months. As befits the dawning of a new season, we have a plethora of forthcoming launches and releases just waiting to excite, entice and safeguard our endorphin levels against the vitamin D deprivation of the winter months. So, as we mentally prepare for cold snaps and weather chaos aplenty, we must consider how we can make our self-imposed months of near hibernation as palatable as possible. If we’re soon to be cocooned in our homes while winter rages on outside, it’s entirely sensible – nay, imperative – to make our ‘four walls’ as aesthetically pleasing as we can, to stave off cabin fever and keep life colourful. This is where we, and your local galleries, are well placed to help! From brand new artists (read on to discover who, what, where and when!) and their unseen, exciting limited edition and original work, we are proud and delighted to present our Autumn/Winter 2018 collection.

FineArtCollector ispublishedbyWashingtonGreenFineArtGroupLimited. Email [email protected] Website washingtongreen.co.uk Alltheartfeatured inFineArtCollector isavailablethroughanetworkof PartnershipGalleries.Visitourwebsiteatwashingtongreen.co.uktofindyournearestgallery.The imagescontained withinthis literatureareanartistic representationofthecollection.Tobestexperienceourart,we recommendyou contactyour localgallerytoarrangeaviewing.Prices illustratedthroughoutthismagazineare recommended retail pricesandmayvarybetweenPartnershipGalleriesdependingonstylesofpresentation.

FINE ART COLLECTOR AUTUMN 2018 1

Editor: Daniela Quinlan Contributors: Daniela Quinlan, Michael Perry, Parveen Kauser, Monika Adamska, Charlotte Brazier, Robyn Smith Creative Director: Ak Suggi Designers: Matt Johnson (Lead Designer), Christy Guan, Mikyla Edwards Special Thanks: Charlotte Cosby (Farrow & Ball), Lara Pattison (Farrow & Ball), Capture Birmingham, Decoy Media, Natasha Devon, Andria Zafirakou, Ricky Saiz, Karen Haller, Stephanie Taylor (Malmaison Birmingham), Louise Barnett, The Big Cat Sanctuary, Jonathan Douglas (National Literacy Trust), Meg Lake (Coffee with Meg), Dr Catherine Lester, Acorn Press

On The Cover Robert Oxley

The History Of Art In Homes Mankind’s engagement with art throughout the ages 64

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CONTENTS

Pascale Taurua Fabulously figurative new releases from another IN:SIGHT success story

A Brush With Style Exclusive interview with Head of Creative

Matthew Hampshire Rediscover the beauty of Europe’s long forgotten architectural treasures

for Farrow & Ball, Charlotte Cosby 32

Say Hello To Gen Z Yellow

Karen Haller, leading expert in the field of Applied Colour Psychology, explains all

Talk To The Animals 10 questions with...Robert Oxley

Richard Levine It’s a dog’s life! Meet the Judges Choice winner of IN:SIGHT 2018

Xue Wang Fairy tales, but not as you know them, take centre stage in these new releases

Sotally Tober Party planning and cocktail making with Peter & Jayne Smith!

Learn Your ABC A glossary of the

In Every Issue 1. From The Editor 76. The Studio Sessions 88. The Social Edit 102. In The Frame Throughout In the Gallery

art terms you need to know

Artists & Their Pets We’re a nation of animal lovers, and our artists are no different!

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I N T H E GA L L E RY

Former Miss France Pascale has battled sexism, fierce competition in the fashion industry and a terrifying car accident to become one of Europe’s most exciting artists. To mark her debut release, we chatted to the IN:SIGHT 2017 finalist about why she wants to empower women.

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I N T H E G A L L E R Y Pascale Taurua

“We’re no longer confined by an ideal standard of femininity or beauty,” explains Pascale, who lives in Paris, France. “Instead, we can celebrate our true selves through what we wear. Like painting, sculpture or dance, clothes are a way of revealing a vision.” By fusing feminism with razor-sharp observation, Pascale’s figurative pieces challenge gender stereotypes and present fashion as an art of conquest. Shoes are a symbol of sexuality, while sunglasses allow us to shield our secrets from others. Painting on canvas with extra-fine oil, she blocks in her sketch before allowing the piece to choose its own direction. Her studio walls are

adorned with drawings, photographs and images from magazines, which she uses for inspiration. Drawing upon her own hardships, Pascale channels the strength that saw her turn her back on the fashion industry and open her own art school. She says: “ Many traumatic events – including a serious car accident in which my face was severely injured – led me to figurative painting as a form of art therapy. Today, I dare to use a bolder paint and a more deconstructed style. Fashion is one of the most important means of communication and has given me back my power.”

Boyfriend HandFinishedCanvasonBoard Editionof95

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“Mastering my technique has allowed me to achieve equilibrium, not only on the canvas, but within myself.”

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A BRUSH WITH STYLE

[interview with] Charlotte Cosby

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With a nod to the past and eye to the future, Farrow & Ball has reigned supreme across the interior design industry for more than 70 years. The company's passion for pigments, paint and printmaking is unparalleled (well, perhaps by anyone but us!) and we were thrilled to speak to Head of Creative, Charlotte Cosby, to find out more about a brand that features all too often on our home improvement wish list…

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Farrow & Ball New Colours 2018 Bancha No. 298 Modern Emulsion 10 FINE ART COLLECTOR AUTUMN 2018

As Head of Creative for Farrow & Ball, talk us through what a day in the office looks like for you… A typical day for me can involve anything – trialling new designs and colourways in our wallpaper factory, brainstorming creative ideas with my team, overseeing our campaign photoshoots or even travelling to design shows to research new trends. The beauty of my job is that no two days are the same! You’ve been with Farrow & Ball for nearly a decade; what would you say have been the biggest landmark moments and/or catalysts for change during this period? Launching the first wallpaper collection I’d developed (our amazing Art Deco Lotus design) was a brilliant moment for me personally. We also had an absolutely unforgettable year back in 2016, when our book ‘How to Decorate’, written by me and Joa [Studholme], was released. And of course, this year! Our new colours launch has been the biggest and most successful yet and we’ve been completely overwhelmed by the excitement it’s generated in our customers. Farrow & Ball is renowned for incorporating historical colour references into its product range. What research do you do, and what source material do you use, to steer this area of development? Inspiration for colour names and the stories behind them comes from all around us, whether it’s from people who inspire us, our Dorset home or the natural world – but historical houses are one of my personal favourite places to look when dreaming up new colours. Yeabridge Green is a great example: it was named in honour of an 18th-century farmhouse in Yeabridge, Somerset, where the exact paint shade that inspired our green was discovered when an old gun cupboard was removed. Dead Salmon is another great one, and it’s a story that people don’t expect when they first hear the name – it actually refers to the ‘dead’ flat finish described by a painter who’d used a very similar colour in Kedleston Hall in 1805. I’m also very fortunate to be able to travel to lots of amazing places as part of my job. From research trips to America to attending trade shows across Europe, I journey anywhere and everywhere for Farrow & Ball, so I get plenty of inspiration from the historic places I find on my travels.

Being experts in printmaking, we adore your commitment to traditional methods when producing your wallpapers. Can you give our readers an overview of this process? The wallpaper factory is my favourite place at Farrow & Ball’s Head Office! To give you a brief overview, the background colour of the paper is painted with a layer of our environmentally friendly water based paint, which helps to give the papers a sumptuous and tactile texture, and then our patterns are applied either using flatbed block printing, roller block printing or trough printing methods. These traditional methods help to create a wallpaper of great distinction and beauty – something we’re renowned for at Farrow & Ball. The fact that our wallpapers are made using our paints also makes it really easy to match paint and wallpaper in a room and create a scheme with a really cohesive feel.

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Farrow & Ball New Colours 2018 Preference Red No.297 in Estate Emulsion

Image courtesy of Farrow & Ball

Moving into the world of art, what is on your walls at home? I absolutely love collecting art. My favourite pieces are by Charlotte Taylor and Michael Angove. I even have a huge banana leaf which is a 1950s original piece of wallpaper that was taken from a hotel in Miami, from a company called Secondhand Rose. I love this one because it’s got such a quirky story behind it – much like our own colour names! Your profession requires a lot of creativity and an eye for design, do you draw or paint outside of work? Yes I do! For as long as I can remember I’ve had a fascination with colour and design – I especially love coloured graph paper and can often be found drawing pieces of furniture. When I’m not doing that, I love to paint abstract.

Farrow & Ball encourages its clients to share photos of their newly-decorated homes on social media using the hashtag #MyFaBHome much like we do with our clients via #YourWorldOurArt. What does it mean to you to see paints and wallpapers that you’ve designed in the homes of your customers? Nothing quite compares to seeing people enjoying something you’ve created – it’s an amazing feeling. Our customers are a hugely creative bunch and we love seeing how they’ve used a colour or a print in their homes, sometimes in a way we never could have come up with ourselves. The feedback we get on social media from people who’ve either used our paint and paper in their homes and love the effect, or have gone in search of inspiration and find themselves bursting with ideas thanks to our inspirational images, is always fantastic too.

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Image courtesy of Farrow & Ball Inchyra Blue No. 289, Peignoir No.286, Worsted No. 284

Finally, we’d love to know what style your own interior décor at home follows… My home is an eclectic mix of contemporary and modern with a restful colour palette. I spend a lot of time around colour and I’m constantly on the go, so I opted for a really simple palette to create somewhere I could properly unwind. My bedroom is painted Wimborne White which is a really versatile just-off-white (and a great backdrop for the eight-foot-high green banana

leaf print I have on the wall!) The living room is painted in Dix Blue which is extremely calming, and the guest room is a combination of two soft greys: Ammonite and Purbeck Stone. I do have some bolder colours and patterns too, like the Lotus wallpaper that hangs in my hallway. Being a first-floor flat, this covers two floors from the bottom of the stairs and looks really dramatic. For my kitchen, I wanted something a little bolder so opted for rich Stiffkey Blue. My bathroom is also painted in Dix Blue and Pavilion Blue but with the addition of a giant pink Aubdon flamingo on the tiles!

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I N T H E GA L L E RY

R ICHARD ROWAN He may have braved the Icelandic wilderness to capture the Aurora Borealis, but Richard’s latest pieces are a little closer to home. Inspired to help his son see the beauty of the lightning he feared, the artist has depicted the awe-inspiring natural phenomenon. “My fatherly instinct took over and I sat with him to gaze out of the window and show him its beauty,” he says. “Through my art, I study the world that we all take for granted. Created by our planet, these spectacles can inspire us,

challenge our perspective and give us a feeling of deeper connection to early humanity.” Using references such as storm chaser films, Richard painted his glass artworks via his signature reverse technique. The piece was underlit and the bolt scratched out and painted with white, with some areas faded to intensify the sections of the main strike. He jokes: “As I can’t sleep through the lightning strikes, I am better off painting them!”

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Left:InAnInstant GicléePrintonGlass Editionof195 ImageSize13½"x13½" FramedSize24"x24" £595Framed Below:NeverTurnBack GicléePrintonGlass Editionof195 ImageSize13½"x13½" FramedSize24"x24" £595Framed

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I N T H E G A L L E R Y Richard Rowan

“In one split second, the power of nature’s energy is revealed through an instantaneous light source that brings dramatic hues to the sky.”

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MATTHEW HAMPSHIRE

I N T H E GA L L E RY

Since buying his first digital camera in 2000, Matthew has captured some of the world’s most beautiful abandoned places. His photographs impressed our IN:SIGHT 2017 judges, and his debut collection saw him travel to Italy, Germany and France to conjure the lost and forgotten.

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I N T H E G A L L E R Y Matthew Hampshire

Sundown HighDefinitionCTypePrintonAcrylicPanel Editionof95 ImageSize35"x23" £695

“Making my way through the building and watching for holes in the floors, I was struck by the warm red glow of the sun just starting to disappear and set about capturing it before it was gone.”

During his travels, Matthew captured a disused power plant, a farmhouse full of secrets and even a church formerly occupied by the Nazis in the Second World War. With overgrown vines and crumbling floors no match for his curiosity, we’re excited to see where his photography will take him next.

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SackTheGardener HighDefinitionCTypePrintonAcrylicPanel Editionof95 ImageSize35"x23" £695

ItMayBeBlueButIt'sTheBomb HighDefinitionCTypePrintonAcrylicPanel Editionof95 ImageSize35"x23" £695

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I N T H E GA L L E RY

JON JONES From the smoky streets of Victorian Birmingham appeared the story behind Jon’s art. In collaboration with the West Midlands Police Museum, Jon delved into the history of the infamous Peaky Blinders gang,

made famous by the successful BBC series of the same name. His research took him into the museum’s archives and the murky lives of the criminals who ruled the city through violence, fraud and robbery.

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"I wanted to try and convey the darker side of the Peaky Blinders...the sinister side, the menace. We all love them but they were bad, bad men!"

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I N T H E GA L L E RY

PAUL KENTON

Whether it’s the buzz of New York’s Times Square or bobbing boats on the Thames in London, Paul has a unique ability to transport viewers into his striking cityscapes. Loose brushwork, paint drips and a vibrant colour palette infuse his pieces with a contemporary energy that is highlighted by his chosen medium of aluminium and – in an exciting first for the artist – gold foil.

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ParisianMetropolis TripleStrikeFlatbedPrintonGoldFoil Editionof195

ImageSize60"x30" FramedSize68"x38" £1,450Framed

“The feeling I get when exploring cities on foot is unlike any other. Shadows move fast and light sources appear and disappear in seconds, giving me moments to record what I see.”

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I N T H E G A L L E R Y Paul Kenton

Right:RiversideWander TripleStrikeFlatbedPrintonAluminium Editionof195

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I N T H E GA L L E RY

JOHN WI LSON

You may recognise a few familiar artworks in John’s latest release. The master of illusion has taken on art legends Roy Lichtenstein and Salvador Dali for his mind-boggling wall sculptures. “All of my paintings are painted 100% by hand: I don’t use any digital images or tracing. For the full effect of the 3D movement, they are best hung with the centre at eye level.”

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I N T H E G A L L E R Y John Wilson

Girls! 3DimensionalFlatbedGiclée Editionof195

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COLOUR TRENDS: Say hello to

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According to colour experts at Pantone, 2016 was the year of ‘Rose Quartz’, or ‘Millennial Pink’ as it became more commonly known. From home décor to clothing and curated Instagram feeds, you never had to look far before another delicate pink hue would surface. Fast forward to 2018 and there’s a new colour on the block in the form of what people are calling ‘Gen Z Yellow’. Bright and vibrant, this year’s shade of the moment is vastly different from the muted tones of seasons gone by. So why are colours symbolic of peer groups so close together, so far apart? We speak to Karen Haller, leading expert in the field of Applied Colour Psychology, about all things generational colour.

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Where did the idea of ‘generational colour’ come from?

The first hint we got of this was when Pantone chose their dual colours of the year (Serenity blue and Rose Quartz pink) having noticed ‘a generation that has less concern about being typecast or judged’ with an ‘increased comfort with using colour as a form of expression.’ “With almost every tint, tone and shade of pink being embraced it wasn’t long before the idea of Millennial Pink took off where a colour was used to define an entire generation. “Given its phenomenal success, it was only a matter of time before the next colour was sought out that captured the mood and essence of the next generation – ‘Gen Z Yellow’.

Do you believe generational colour is a trend that will continue?

Given the success of Millennial Pink and Gen Z Yellow, I believe generational colour trends are here to stay. It will be really interesting to see what colour comes next, however forecasters do need to be mindful. Being labelled or typecast is something people aren’t comfortable with and there may well be a backlash. Ultimately the generation has the final say as to whether the given colour trend is a success or failure.

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It’s been said that Millennial Pink represents nostalgia. In your view, what does Gen Z Yellow represent?

The first Gen Z Yellow that came out was a strong, bright yellow and, if I were to pick one word to summarise this hue, it would be ‘optimism’. Previously a lot of trend forecasters have chosen safe, muted colours, as we saw with the original Pantone pink that became known as Millennial Pink. Contrastingly, in society today there’s a lot of uncertainty and when this happens people typically choose to go in one of two directions – they either choose ‘safe’ colours that allow them to hibernate and hunker down, or they decide they want change and to see a bright, positive future and to feel optimistic. That is exactly what Gen Z Yellow is. We’re not talking about a muted yellow – this is a warm, bright and happy yellow that is full of positivity.

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How does the colour yellow affect human behaviour? Think about how you feel when you see the sun shining - it lifts our spirits, we feel optimistic and have a brighter outlook on life. The adverse effects of yellow can also be felt. It’s actually one of the colours people find harder to be around because too much yellow can irritate the nervous system. It’s also important to note that, when thinking about the ways in which colour affects human behaviour, we have to consider colour combinations and not just colours in isolation. For example, if you put yellow with black, straight away you’ve got a danger sign just like we see in nature, and this will impact human behaviour differently than yellow on its own.

Whilst the colour yellow can provide a refreshing burst of colour, it’s not for the faint-hearted. If you’re not quite ready to incorporate it into your home, why not try these alternative Pantone colour trends for Autumn/Winter 2018? Red Pear

Valiant Poppy

Martini Olive

Crocus Petal

Ultra Violet

Quetzal Green

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How can people incorporate yellow into their lives and homes? The advice I give my clients when they’re looking to incorporate yellow is to pick the tint, tone or shade that resonates with their personality. Whether that’s a lemon yellow, buttercup, sunflower or a saffron – there’s a huge range to choose from. Next, you’ll want to look at how much you want to use and where you place it. You don’t have to go all out – just a little bit of yellow like a bunch of flowers or a splash in a painting can bring a sense of brightness and happiness without being overwhelming. To learn more about the psychology of colour visit Karen’s website: www.karenhaller.co.uk and Instagram: @ karen_haller_colour

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I N T H E GA L L E RY

“These pieces bring memories flooding back. When I was a kid, my grandma took my brothers and I on walks down to the local stream. She would sit on the grass and watch us jumping across.”

BOB BARKER

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FirstLesson BronzeSculptureonGraniteBase Editionof195 SizeH12" £1,950

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I N T H E GA L L E RY

ALEX ECHO

Listening to the Beatles on his AM radio sparked something special in a young Alex. Their Sgt. Pepper’s Lonely Hearts Club Band album and animated film Yellow Submarine became a visual library that would influence his art as an adult. His new body of work – titled Code Name Babington – is named after Major General James Melville, who was the original inspiration for the artwork of the Beatles’ album. It’s the first time the abstract

artist’s trademark word pieces have been available as limited edition prints. “They’re born out of an expanding funhouse of creativity, memory, nostalgia and an ever-growing love of England,” says Alex, who enjoys a full English breakfast twice a week. “Symbolism includes the two-up two-down format of your iconic terraced house. It’s the house where parents raised their children, and the house of hopes and dreams.”

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I N T H E G A L L E R Y Alex Echo

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“I love Great Britain! I love James Bond, Queen Elizabeth II, BBC Proms and Vivienne Westwood. I love bangers and mash, and a great London taxi ride with a cabbie who’s got too much to say.”

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Left:MajorGeneralJ.M.Babbington HandEmbellishedBoxedCanvas Editionof95

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I N T H E GA L L E RY

R ICHARD LEVINE Richard Levine is a busy man. After being crowned the winner of IN:SIGHT 2018, the graphic designer and self-confessed pattern enthusiast has released his stunning debut collection. Hovering between representation and Pop/Op art, his colourful artworks explore the structure of iconic imagery by playing with colour and geometric shapes. One of the nation’s favourite symbols – the humble pooch – has been transformed into something which is both recognisable and unrecognisable all at once.

“The colours and textures of the stripes pass through various stages,” Richard explains. “I swap, replace and finesse them until I can’t push the piece any further. The viewer can focus in to follow the stripes and focus out to appreciate the familiar form.” It's an exciting step for the artist, who reveals he has plenty more themes up his sleeve. Influenced by Op artists from the 1960s (including Victor Vasarely and Richard Anuszkiewicz), he has come a long way since admiring Andy Warhol’s Mickey Mouse prints as a teenager in Hampstead Heath. He adds: “It still hasn’t quite sunk in!”

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“All of these dogs have a lot of character. It’s hard to choose a favourite as they are all very individual. I like them all in their own way.”

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I N T H E GA L L E RY

NIGEL HUMPHR I ES

“I do enjoy painting villains. But Spider-Man has to be my favourite superhero. He’s a normal, everyday guy who tries to bring good into the world.” Things you might not know about Nigel: he dreams about flying (but doesn’t like aeroplanes), his pet chickens roam his art studio and his superhero name would be Star Speed. Now you’ve been formally introduced, we’d like to reveal his stunning new collection.

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I N T H E G A L L E R Y Nigel Humphries

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TALK TO THE ANIMALS

The Incredible Hulk probably isn’t the first thing that comes to mind when you think of wildlife art, but that’s part of Robert Oxley’s charm. The painter and passionate conservationist paid a visit to our Manchester gallery to talk us through his new art, superhero alter egos and some very big cats.

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“I think that elephants are nature’s greatest masterpiece. The female name Madhavi originates in India, and can be interpreted as ‘saint’. The yellow, orange and red capture the bright colours of the traditional ‘Holi’ Hindu spring festival."

Left:Madhavi HandEmbellishedCanvasonBoard Editionof195 ImageSize36"x36" £795

“Millennials will know Churchill from the popular insurance advert. Oh yes. But the phrase ‘British Bulldog spirit’ evolved during the 20th century, when the animal’s strength and courage became synonymous with the then prime minister, Winston Churchill.” Churchill HandEmbellishedCanvasonBoard Editionof195 ImageSize36"x36" £795 “The title of this piece is used by the Incredible Hulk, the Dr Jekyll and Mr Hyde of the pop culture world. It’s a great line that serves as both a threat and a warning, echoing the tiger’s warrior state: calm and alert. Plus I had tremendous fun painting a tiger green!”

YouWouldn'tLikeMeWhenI'mAngry HandEmbellishedCanvasonBoard Editionof195 ImageSize30"x40" £725

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CAT-LEBRITY PORTRAIT

After watching Maya the adorable jaguar cub from the BBC hit television show Big Cats About the House, Robert knew he had to do something to help. Putting paintbrush to canvas, he created an ap- paws-worthy artwork which raised £2,600 at auction for The Big Cat Sanctuary in Kent. “I was captivated,” Robert says. “The tireless dedication of Maya’s keeper and his commitment to seeing her grow from a helpless cub to a boundless riot of energy was so uplifting. What’s not to love?” Working from his research into jungles and his memories of Maya as a cub, Robert scaled her outline on the canvas before blocking in her shape with paint. “I wanted to

keep her at this age,” Robert explains. “So I kept the eyes large and wide.” Growing up surrounded by a large forest, Robert spent his childhood imagining that big cats roamed free. He is now hugely passionate about protecting animals’ survival against poaching and habitat loss. Robert met Maya for the first time in May, when he unveiled his portrait. He says: “Meeting her was a thrilling and humbling experience, and something I will never forget. I am incredibly lucky. As you can see, she approved!”

A SKETCH IN TIME

You can donate at thebigcatsanctuary.org

Photos courtesy of The Big Cat Sanctuary

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What’s the last photograph you took? My son in Famagusta, an area of Cyprus that was invaded by the Turkish army in 1974. It’s a fascinating, apocalyptic place to visit. Which three people (dead or alive) would you invite for dinner? The film director Stanley Kubrick, occultist Aleister Crowley and founder of the Illuminati Adam Weisthaupt. I’d want to watch the unedited version of Eyes Wide Shut after dinner, hear the true agenda of the Illuminati, and open a portal to another dimension. Favourite season? It’s got to be spring for the optimism, new growth and overall feeling of renewal. What are you listening to? I’m a fan of Turkish funk music, pseudoscientific theorist Graham Hancock and the American stand- up comedian Joe Rogan. Plus I love animal folklore podcasts. What superpower would you pick? Invisibility – just to be nosy and sneak into places I shouldn’t. Favourite colour? At the moment, I’m loving fluorescent pink – shocking and translucent with a strong pigment. It’s great to wash over other colours. Favourite artist? I’m really into Walton Ford, an American watercolour artist who plays with the early natural history illustrations of John James Audubon and Edward Lear and twists them with animal folklore, fables and allegory on a vast scale. I highly recommend his book, Pancha Tantra. Dogs or cats? In the house: dogs. Outdoors: big cats. I’ve been around dogs all my life, as my parents bred English Springer Spaniels. I also drew my first dog, Sam, when I was five and it was published in a book for schools. Favourite book? The Unexpected Truth About Animals by Lucy Cooke. ROBERT OXLEY 10 QUESTIONS WITH

Favourite film? The Revenant.

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I N T H E GA L L E RY

DAN LANE

Classic art meets modern culture for Dan’s new Modern Relics series. Inspired by the works of Gian Lorenzo Bernini and Michelangelo, he has explored how we treat our bodies to create works which look like they could be hundreds of years old. Made from solid bronze, the sculptures feature an incredible patina on the skin surface. The aging process involved using chemicals to

produce a natural Verdigris (a bluish- green colour). The carved tattoos are raised and have a highly polished finish. Dan says: “I decided to visit some of the original sculptures to see them in the flesh. Tattoos have become such a mainstream part of our bodies, and I couldn’t help but think that the artists wouldn’t have been able to resist using them in their own work.”

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I N T H E GA L L E RY

DAN LANE

Classic art meets modern culture for Dan’s new Modern Relics series. Inspired by the works of Gian Lorenzo Bernini and Michelangelo, he has explored how we treat our bodies to create works which look as if they could be hundreds of years old. Made from solid bronze, the sculptures feature an incredible patina on the skin surface. The aging process involved using chemicals to

produce a natural Verdigris (a bluish-green colour). The carved tattoos are raised and have a highly polished finish. Dan says: “I decided to visit some of the original sculptures to see them in the flesh. Tattoos have become such a mainstream part of our bodies, and I couldn’t help but think that the artists wouldn’t have been able to resist using them in their own work.”

ModernRelicArm-Timeless BronzeSculptureVerdeBrownPatina Editionof95 SizeL20¼"xH6¼" £3,950

ModernRelicArm-JapaneseKoi BronzeSculptureVerdeBrownPatina Editionof95 SizeL20½"xH6" £3,950

“These sculptures are modern relics. It’s taken my art to another level.”

ModernRelicArmSuite(Both) BronzeSculptureVerdeBrownPatina SizeAs IndividualDimensions £6,950

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FINE ART COLLECTOR AUTUMN 2018 57

HOST THE PERFECT IMPOSSIMAL PARTY With Peter and Jayne Smith

Quirky duo Peter and Jayne return for autumn with Sotally Tober, a splendiferous cocktail of booze-themed paintings for anyone who enjoys a tipple. Featuring their signature Impossimals®, the collection is an intoxicating tonic, no beer goggles required. “ We originally set out to create a sensible collection,” says Peter. “But it turned into a party that got rather wild. Brushes were cast aside, along with art-related clothing. Six months passed in a blur, and we both staggered out of the studio nursing a hangover that could knock out a whale.”

perfect drinks party, complete with party games and appetisers. First on the agenda is Impossimal etiquette. “Flatly refuse to eat snails,” instructs Peter. “Offer to cut up people’s food if they are eating too slowly and ensure that cheese is sliced into pieces no bigger than 1cm square. “Breaking ornaments with a cork is a skill admired by many, so shake any bottles of fizz before opening. And if you spill red wine, immediately throw white wine over your fellow host for good luck.” Don’t embarrass yourself by hosting a damp squib of a jamboree – follow these tips and you’ll be coming up rosé.

Thankfully, the pair recovered enough to tell us their top tips for hosting the

58 FINE ART COLLECTOR AUTUMN 2018

Left:FizzyRascals HandEmbellishedCanvasonBoard Editionof250

ImageSize28"x18" FramedSize35"x25" £450Framed

Right:KindaCare,KindaDon't HandEmbellishedCanvasonBoard Editionof250

ImageSize28"x13.5" FramedSize35"x20.5" £395Framed

“We do use wine when we cook. Occasionally we add it to the food too.”

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60 FINE ART COLLECTOR AUTUMN 2018

Right:Sip,Sip,Hooray!! HandEmbellishedCanvasonBoard Editionof250

ImageSize26"x20" FramedSize33"x27" £450Framed

Below:SizeMatters HandEmbellishedCanvasonBoard Editionof250

ImageSize24"x24" FramedSize31"x31" £495Framed

FINE ART COLLECTOR AUTUMN 2018 61

Above:BigShots HandEmbellishedCanvasonBoard Editionof250

ImageSize32"x18¼" FramedSize39"x25" £550Framed

Below:AbsolutelyFabulous HandEmbellishedCanvasonBoard Editionof250

ImageSize28"x17" FramedSize35"x24" £450Framed

62 FINE ART COLLECTOR AUTUMN 2018

Phew! We’re ready for another drink.

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THE HISTORY OF ART IN HOMES Humans are the only species known to create art, with the first examples of paintings dating back at least 40,000 years. A vessel for communication, art serves not only as a decoration, it also plays an important role in religion and as a symbol of power. In our brief tour of art history, we’ll be revealing some of the most important breakthroughs of art in our homes. The need to create is deeply ingrained in human nature. It’s seen in archaeological finds through the everyday objects, tools and pottery that were intricately designed to be both functional and aesthetically pleasing. From cave paintings and sculptures to large-scale frescoes, photography and contemporary art, humanity has reached new levels of artistic excellence, but the creative force remains the same. While once only the richest could afford to decorate their dwellings with art, it is now a staple aspect of home décor and an affordable way to bring joy to our lives. To understand why we embellish our private spaces, we’re about to take you on a very special journey through the past.

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PREHISTORY (40,000-5500 BCE)

The earliest known examples of artistic expression are small bone figures decorated with engravings, stones and shell amulets. Cave paintings were made using different- coloured minerals, by grinding them and mixing the powder with blood and animal fat our ancestors created paints. Subjects included large wild animals like bison, horses and deer, along with the tracing of human hands. As people lived in caves only occasionally, it’s doubtful that they had a solely decorative purpose. It’s possible that they had a spiritual meaning and were used in rituals to ensure successful hunting expeditions.

Located in Cantabria, North Spain, the Altamira cave complex was made a World Heritage Site by UNESCO in 1985. The paintings depict animals including bison and bulls and are dated between 14,000 and 20,000 years ago.

An Ancient Greek mosaic of a panther from the House of the Masks in Delos, dated circa 100 BCE.

ANCIENT EGYPT (3000-332 BCE)

ANCIENT GREECE (1500-146 BCE)

In Ancient Greece, wealthy people embellished walls and floors with colourful tiles and paintings. These evolved into paintings on wood that could be transported from one place to another. Mosaics often reproduced paintings by masters, while the human form – including that of classical gods such as Apollo – were replicated in marble. A Greek mosaicist invented a new type of pavement, which featured black and white marble tiles with a realistic central image. Painted vases (amphoras) were very popular, and today they comprise a large part of all surviving Greek artefacts.

Egyptians were strong believers in the afterlife, and much of their art is from their tombs. They used hierarchical proportion, whereby the size of figures indicated their relative importance. Pharaohs were depicted as much larger than animals, servants and trees. Other art included paintings, jewellery and drawings on papyrus. The decoration of private dwellings remains relatively unknown, but it is believed that palaces were elaborately decorated with relief paintings and statues.

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ANCIENT ROME (753 BCE-395 CE)

We know that the walls of luxury Roman villas were almost entirely painted, while floors were covered in colourful mosaics which matched the function of their rooms. Sosos of Pergamon became a trendsetter in the first century CE for his ‘unswept floor’ motif, which featured natural elements like shells, animal bones and leaves. Other decorative features included marble panelling, landscapes and oriental influences. Not much was known about Roman paintings until the discovery of the ancient towns of Pompeii and Herculaneum. The volcanic eruption of Vesuvius in 79 CE contributed to the preservation of their rich pictorial heritage.

A fresco of Venus and Mars from a house in ancient Pompeii.

MIDDLE AGES (476-1492 CE)

Medieval art served both a decorative and practical function, as the homes of the rich were decorated with tiles and tapestries to insulate the walls. During a devoutly religious time, works were created for monasteries or to illustrate manuscripts – with the Church often playing the role of patron.

MODERNISM (1890-1940)

HISTORICISM AND REVOLUTION (1755-1900)

A departure from historical revivals, and an increasingly restrained approach to decorations, led to the emergence of modern art. European modernism, known as international style, resulted in the Bauhaus movement in Germany. The mission of the Bauhaus school was to unify art and handicraft, creating a building that would be a ‘total work of art’ and blur the boundaries of painting, sculpture and architecture. De Stijl, a Dutch artistic movement, echoed the idea that art should be practical and embrace all aspects of life.

In reaction to the ostentatiousness of the baroque style, neoclassicism

turned its focus to classical forms inspired by antiquity.

Romanticism, realism, naturalism and impressionism followed, but their visual language was limited to painting rather than architecture or decoration. During this time, industrial revolution changed printing techniques, making art more accessible for people wishing to spruce up their houses.

‘The Red and Blue Chair’ designed by

Gerrit Rietveld in 1917. It represented the ideals of the De Stijl art movement.

The abundance of art styles and mediums allows us to find a perfect piece for any room.

TODAY

Fantastic news! Art is now more accessible than ever, so we have free rein when it comes to decorating our home. This year saw the emergence of trends including honest line drawings, inspiring female imagery and monochromatic photographs. Recent developments include the release of The Frame: a Samsung television which transforms into your chosen artwork when not in use, proving that art in homes is a trend that will never switch off. Pop into one of our galleries or browse our online collection today to create your own slice of art history.

This was a time of extravagance. The lavish palazzi of the European nobility and middle-classes were brimming with sculptures, frescoes, tapestries and furniture. Powerful Italian clans like Medici, Sforza and Borgia collated awe-inspiring collections which symbolised their power and prestige. RENAISSANCE (ca.1420-ca.1600)

Doge’s palace in Venice.

The Marie Antoinette room at Chateau Versailles in France.

BAROQUE AND ROCCO (ca.1575-1770)

During this period, interiors were flamboyant and richly-decorated, with frescoes and paintings covering walls and ceilings. Sculptures, figurative works and intricate carvings combined to create a unified aesthetic – especially in royal residences. Interestingly, the collections of art and curiosities by German aristocrats were the predecessors of our museums today. In Holland, genre painting was popular and could be found in many middle- class households.

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◀ Chris Sharples

Chris has an impressive collection of Hamish Blakely artworks in his bedroom. “It’s great way of distracting people from the mess on the floor!” he jokes.

YOUR WORLD

Our art would be nothing without our collectors. Without you, it’s just a pretty picture – the story behind your decision and the way our art makes you feel makes it unique to your home. That’s why we want you to invite us in and show us why our art is important to you. Whether you’ve opted for a limited edition print, original artwork or sculpture, we want to hear your story. Simply tag us on Facebook, Twitter or Instagram with the hashtag #YourWorldOurArt for your chance to win £100. Choosing art is a challenging but exciting task, and your first (or tenth!) piece is the start of a very special journey. We are honoured to be a part of your adventure.

Terms & Conditions: Your World, Our Art is open to UK residents aged 18 or over. By sharing your photograph with us, you are giving Castle Fine Art and Washington Green Fine Art permission to share and use your image both online and in print media for marketing purposes. This contest is in no way sponsored, endorsed or administered by any social media networks. Those whose submissions have been selected for publication will be notified by email and via our website. Selected submissions will be featured in Fine Art Collector magazine and receive a free copy of the magazine on release. Winners who select the £100 voucher option will be subject to a minimum spend of £200. Castle Fine Art is compliant with >Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60 Page 61 Page 62 Page 63 Page 64 Page 65 Page 66 Page 67 Page 68 Page 69 Page 70 Page 71 Page 72 Page 73 Page 74 Page 75 Page 76 Page 77 Page 78 Page 79 Page 80 Page 81 Page 82 Page 83 Page 84 Page 85 Page 86 Page 87 Page 88 Page 89 Page 90 Page 91 Page 92 Page 93 Page 94 Page 95 Page 96 Page 97 Page 98 Page 99 Page 100 Page 101 Page 102 Page 103 Page 104 Page 105 Page 106 Page 107 Page 108

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