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56 WOMEN AND WINE: ARE WE OVERSERVING OURSELVES? Seeking emotional release in a glass. by Bonnie Adler 68 YOUNG MONEY Wall Street recruits learn the ropes. by Kevin Roose 80 GWYNETH AND MARTHA A feud for the ages. by Rebecca Harrington 90 STUCK IN AN ELEVATOR AT THE WALDORF WITH 16 REPUBLICANS by Maureen Pilkington

102 THIRD EYE Seventh and Madison Street Style. by William Helburn 114 FICTION: MY BALLOONOSCOPY Prepping for the parade. by J.C. Duffy 122 LEXUS They were destined for Greenwich. by Dave Housley

CONTENTS . ISSUE 54

In 1839, Vacheron Constantin created the famous pantograph, a mechanical device allowing for principal watchmaking components to be reproduced with total precision. Elevating the quality of its timepieces even further, this invention, which also revolutionized Swiss watchmaking, would propel the brand into the future. Faithful to the history upon which its reputation is built, Vacheron Constantin endeavours to maintain, repair and restore all watches it has produced since its founding: a sign of excellence and confidence, which continues to elevate the brand’s name and stature.

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1986 “THE GLASS MENAGERIE.” KAREN ALLEN AND JOANNE WOODWARD. PHOTO BY T. CHARLES ERICKSON

departments 22 TRAIN OF THOUGHT Two Cats, Fat and Thin. by Jacob M. Appel 33 THE LOCAL SCENE Neighbor to Neighbor 130 GREEN ROOM Long Wharf Theatre Celebrating 50 years. 140 I’LL TAKE MANHATTAN Uptown and Down

148 DA MO DA MERRIER Where the Gettin’s Good by Simone 156 LIKE A ROLLING STONE Adventures around the world. 170 BEST OF BOTH WORLDS Telluride – Where lifestyle is king. 172 MEDICAL TOURISM

Achieve your personal goals. 174 HEALING AGENT Seeking and finding wellness. 180 APPRAISED AND APPROVED Alex And Ani and Susan Durkee. 197 INDEPENDENT SCHOOL GUIDE Day and Boarding, Higher Education and Summer Programs Semester Abroad by Simon Rich Can this relationship survive study abroad? 272 COMMUNITY ROOM

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Editor and Publisher Eric S. Meadow Editor Celia R. Meadow Art Director TimHussey Executive Editor Debbie Silver Travel Editor Susan Engel Editors at Large Paula Koffsky, Simone Meadow, Rich Silver

General Counsel Bruce Koffsky, Esq. Contributors

Bonnie Adler, JacobM. Appel, Natalie Axton, Eric Boman, J.C. Duffy, Amy Levin-Epstein, Amy Ferris, Mary Ellen Walsh, RebeccaHarrington, DaveHousley, Rev. Jen, MairaKalman, RichMonetti, GregO’Brien, Maureen Pilkington, SimonRich, KevinRoose, Vivian Shipley, Allie Silver, Hal Sirowitz, Nina Sutton, ElizabethTitus, AlineWeiller Contributing Photographers MaryBar,JoelandAnneDarelius,PeterFriedman, KerryLong,LizaMargulies

I n fifth grade, we are asked to sacrifice: our prized possessions must be inventoried and surrendered to the state. This is, mercifully, an exercise. I am a sheltered ten-year-old boy in an upscale bedroom suburb of New York City, a community so flush that its grade school teachers must simulate hardship for their students. We have already suffered through a sugarless week in solidarity with the over-taxed colonists of eighteenth century New England; we have wandered the classroom blindfolded, rendered sightless by a barrage of Confederate bullets. Now we are studying the immigrant experience—or possibly the Holocaust—and each of us has been ordered to bring from home a personal treasure that our teacher-turned-jailor, Mr. G., intends to “confiscate” as the price for our freedom. This crash course in palm-greasing takes place several years before the fall of the Berlin Wall, before the Challenger explo- sion, before the death of my beloved grandmother—and I confess the details are misty in my memory. (It is also an age of laxer classroom mores, when Mr. G. can still have his young charges massage his shoulders, not because he harbors ulterior designs on children, but because he enjoys having his muscles loosened.) What I Two Cats, Fat and Thin By JacobM. Appel

Cover Illustration Dynamic Duo Studio Social Media Director CamilloFerrari DistributionManager Man inMotion LLC Advertising Sales Manager Libby Rosen Advertising Sales Representatives

Michael Certoma, Avicii Flowers, JensenFrost, Barbara Greenhouse, PaulMcNamara, J.D. Simons, Bart Smidt, Princess Okieme, Mike Edison-Inner StreamMedia Advertising & Editorial Inquiries (203) 451-1967 Follow us on twitter@westonmagazines Weston Magazine, Rye Magazine, Westport Country Capitalist, Greenwich Country Capitalist, New Canaan Country Capitalist, Hamptons Country Capitalist, Westchester Country Capitalist, Long Island Country Capitalist, Litchfield County Country Capitalist, TriBeCa Magazine, SOHO NYC Magazine, The Upper East Side Magazine, Central Park West Magazine, and Alpine NJ, Issue #54, are published 4 times per year by Weston Magazine, INC. P.O. Box 1006, Weston, CT 06883. Phone: (203) 451-1967, Email: [email protected]; www.westonmagazinegroup.com. Copyright 2015 by Weston Magazine, INC. All rights reserved. Weston Magazine/Country Capitalist/Rye Magazine/The Upper East Side Magazine/Central Park West Magazine/TriBeCa/Soho NYC/ Alpine NJ™ are trademarks of Weston Magazine, INC. The contents of this publication may not be reproduced either in whole or in part without the consent ofthepublisher. Weston assumesnoresponsibilityforunsolicitedmaterials.Print subscription rate: four issues, $100. Back Issues, $10. Attention Postmaster: send addresscorrectionsto Weston, P.O.Box1006,Weston,CT06883. Printed inCanada.

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do recall vividly is Mr. G. as Kafkaesque bu- reaucrat, shuffling between our tiny desks on his reconstructed knees, inspecting one boy’s meticulously-labeled coin collection and another girl’s sepia photograph of her great- grandparents in fin-de-siècle Vienna. When he leans down to demand my offering, I gaze intensely into the Formica desktop. I have brought him nothing. I have not even told my parents that he’d asked. “I don’t have any favorite things,” I mutter. “I’m sorry.” “Well, well,” says Mr. G. “Nothing will come of nothing.” How can I know he’s quoting Lear ? I want to sink my teeth into his fleshy hand. “Surely, you must have something worth sacrificing,” says Mr. G, sporting the perpetu- ally bemused smile that defines his benevolent, leonine face. “Maybe you could bring in some- thing for us later this week.” “All of my prized possessions have been tak- en!” I snap. “You’re too late.” This earns me yet another afternoon with the school’s psychologist. T HE PRIZED POSSESSIONS that I no longer possessed were two miniature rubber cats, one fat, one thin, given to me by my grand- mother’s eldest sister. The thin cat appeared hungry and scheming—a synthetic, feline Cassius. The fat cat looked as though he’d just swallowed an obese goldfish. They were not a matching pair, manufactured as companions, but two independent creatures forced into unsought friendship. Neither of them had names. Merely Fat Cat and Thin Cat. Al- though they’d once been the most treasured objects of my brief existence—at the age of six, I had carried them everywhere, even the bathtub—they lacked any other social or economic value. Unfortunately, our school’s psychologist, a tense, hyper-analytic fussbud- get, got hung up on determining whether Aunt Emma was an aunt or a grandaunt. We never came around to discussing Fat and Thin, so my unspoken anxiety continued to slosh around inside me like battery acid. Even now, I shiver when I recall my private apocalypse. It was the final autumn of the Carter Presi- dency. My family was driving through north- ern Florida en route to New York, because, to my mother, every commercial jet was an airborne coffin. She’d been arguing with my father, insisting that a presidential vote for

John Anderson would throw the 1980 Elec- tion to Reagan and usher in nuclear winter. We’d just visited my grandaunt in Miami Beach, the last time we would ever see her. I had my two travel companions, Fat and Thin, securely buckled into the back seat of my mother’s foul-tempered Dodge Dart. I sup- pose my brother was also in the vehicle—he must have been about two years old—but I cannot be certain. I was too busy making sure that Fat and Thin didn’t grow carsick, and later, that they were tucked under the covers in the gloomy motel room outside St. Augustine, where we’d all spend the night. We’d only entered the room long enough to inspect it—we hadn’t even emptied our lug- gage from the trunk—but my cats decided to enjoy a nap, a fleeting, indolent snooze while the rest of the family ducked out for breakfast at the local Waffle House or Den- ny’s. Who was I to insist otherwise? Maybe we also collected seashells and pink coral on the public beach. Or we scaled the ramparts of the historic Spanish fort. I have no reason to remember that breakfast, any more than I recall the events of the day, two months later, on which my father drew me aside, following dinner, to reveal that my grandaunt had suc- cumbed to stomach cancer. It was a morning without omens, all prologue to an unforeseen horror. How could I anticipate that, when we returned, joyful and sun-drunk, to our other- wise undisturbed motel room, both Fat and Thin would be gone? As in any self-respecting whodunit, suspicion immediately fell upon the servants—in this case, any of the depleted, middle-aged African-Amer- ican maids who vacuumed and scrubbed toilets while the Caucasian guests scaled the Spanish bat- tlements and collected pink coral on the beaches. These women had opportunity. They hadmotive. Who else would pilfer a pair of worthless rubber cats except a mother or grandmother too impov- erished to purchase her brood feline companions of their own? That’s how my father explained it to me. I had lots of toys. Most likely, the poor Black child who’d been given Fat and Thin had

none. Nor did my parents believe there was mal- ice involved in the catnapping. Rather, entering an empty motel room that contained only two rubber cats, the well-intentioned maid probably believed the creatures had been abandoned. So my parents would buy me new cats, they pledged. Better cats. But to hope that Fat and Thin might return home was simply unrealistic. If we pursued the matter doggedly, a blameless working mother might lose her job. What good would that accom- plish? Besides, even if it were possible, did I really want to yank these cheap, well-worn toys from the hands of a deprived little boy? So we continued our journey up the sea- board. Past unmarked police cars scanning for Yankee plates, through palmetto thickets blanketed with Spanish moss. We drove by the hospital where, the previous winter, my mother had undergone emergency surgery after dropping a can of tomato soup on her left big toe. Soon the air turned crisp and we crossed the endless brooks and runs of Virginia. Then Delaware, where I was bun- dled into a windbreaker and rewarded with a sour gumball. And New Jersey, an endless colonnade of chemical drums that looked like giant toadstools. Finally, we were back in New York, passing the playing fields where I would soon master the arts of lollygagging and wearing a baseball mitt on my head. We parked opposite the neighbor’s stone wall— the wall that my brother would later reshape with the bumper of his first car. But there were now only four of us in the vehicle, not six. I stared out the windshield at our over-lit house, the carefully timed lamps blazing in the upstairs windows, thinking of that needy boy back in Florida whose toilet-scrubbing mother couldn’t afford to take vacations. Did I really want to yank Fat and Thin from his deprived little hands? Yes, I did. Yes, I did! YES, I DID! T WENTY YEARS AFTER the crime of my centu- ry—for Fat and Thin are my Great Train Rob- bery and Lindbergh baby and Manson family

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24 WESTONMAGAZINEGROUP.COM

murders all rolled into one—I was hired to teach an introductory course in applied eth- ics at Brown University. Whether by coin- cidence or subconscious design, much of my syllabus focused on the countless moral ques- tions surrounding property rights: Should my neighbor have to compensate me if she builds a house that obstructs my view? Why shouldn’t private business owners be permit- ted to discriminate on the basis of race or reli- gion? Who has the most convincing claim to a stolen painting that is subsequently sold and purchased in good faith by an unsuspecting third party? These are the conundrums that try eighteen year olds’ souls, during those ephemeral salad days before they start amass- ing property of their own. When you ask them: Is it ethical for a poor maid to steal a cheap toy for her son from the motel room of a wealthy family, they grapple with the mat- ter quite intensely. On the whole, they tend to be surprisingly forgiving of the well-inten- tioned and indigent cat burglar. Some even defend the working-class bandit who actually knows that the well-heeled family will return for the toy, yet steals it anyway, comparing the theft to pilfering apples for starving chil- dren or swallowing a phone company error in your favor. In contrast, my thirty-something friends—professional, civic-minded couples raising overindulged children of their own— see no ambiguity in the situation. Stealing is stealing. To the last, they are surprisingly lacking in sympathy for the imaginary servant who, in my concocted scenario, makes off with a pair of hypothetical rubber cats. Why are my Brown students so lenient? I often suspect it is because they have never before considered the injustice of a social sys- tem that allows some children to amass toys while others have none. Sure, they are aware of poverty: kwashiorkor and marasmus in the starving, dust-clad villages of the Sahel; hemorrhagic fevers ravaging war-torn swaths of the Congo. The more socially-conscious among them feel guilty that they have the leisure to study Gramsci and feminist the- ory, while millions of their chronological peers work fast food counters in urban ghet- tos and raise toddlers on food stamps. My

lessness. They side with the maid because, accustomed to an arsenal of Xboxes and mul- tiethnic Barbie dolls whose shoe collections rival that of Imelda Marcos, they do not see much cost in losing a single toy. When I de- scribe to them the vanished immigrant world in which my grandmother and Aunt Emma grew up, where one home-fashioned rag-doll was handed down like a cache of jewels from sister to sister, they listen with tolerant incre- dulity. I might as easily be telling them that when I was their age, I hiked fifty miles to school every morning—uphill, both ways— through drifts of year-round snow. Occasionally, of course, a student will take the side of the wealthy family. I recall one par- ticular girl—a sharp-thinking beauty, well on her way toward professional school and civic- minded childrearing—who had already learned

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students find these inequities fundamentally unsettling, even unjust—though, in all fair- ness, few will devote their lives to eradicat- ing poverty, and even fewer, if any, would voluntarily exchange places with their less fortunate brothers and sisters. What my students have never done, however, is reflect upon a life without toys. In a society where mass-produced plastic action figures cost ten dollars a piece, and every middle-class family has a closet well-stocked with such whole- some board games as Monopoly and Risk, my students find “toylessness” as alien as home-

WESTONMAGAZINEGROUP.COM 25

not to tinker with the rules of social organiza- tion. What about the boy whose toys were sto- len? she wanted to know. What if those were his most beloved possessions? What if they’d been given to him by his grandparents on their deathbeds? I admired her eloquence, but I also sensed her passion was not personal—that she had never actually lost anything of value. Think about what being victimized like that could do to somebody, particularly a small child, she urged her skeptical classmates. For all you know, that kid will never get over his missing cats. For all you know, taking those cats away ruined his entire life. I WON ’ T CLAIM that the loss of Fat and Thin ruined my life, but their disappearance cer- tainly changed it. Even today, I am a far more cautious—even suspicious—person than I might have been if not for that episode. I am

particularly careful not to leave shopping bags in my car while I run a few additional errands or an attaché case at a restaurant table when I visit the rest room. I never loan out my door keys, not even to a close friend or relative for a matter of seconds. When I travel, I phone my home answering machine at least once a day—not principally to check my messages, but to assure myself that my apartment build- ing hasn’t burned down. And every morning, if I’m staying at a hotel, I pack up all of my belongings and stash them inside the trunk of my car. So while I give generously to charity and even to panhandlers, no slippery-fingered room cleaner’s toddler will ever acquire a stray sock or a ballpoint pen at my expense. Of course, even without the St. Augustine mas- sacre, I might have grown into a thoroughly maladjusted adult. Hitler and Stalin could still have proven butchers, notwithstanding

loving childhoods. What I can say with con- fidence is that not a day passes during which I don’t actively fear being robbed of what I care about most deeply: not tangible objects, but friendships and loved ones. I imagine psychiatry has a label for this walking dread. That is why I don’t see a psychiatrist. Another consequence of this traumatic incident has been my longstanding discom- fort with the housekeeping staff at hotels and motor lodges. The winter after Fat and Thin disappeared, I slammed the door in the face of another African-American mo- tel maid—this time on the resort island of Sanibel—and nearly shattered her nose. The woman, a plump battleaxe with a soli- tary gold tooth, accused me of racism. My prejudice, of course, was of a different sort. Alas, my parents, who had long since moved beyond the previous autumn’s horrors, forced me to apologize. Later that week, my father drove our rental car through the shanty towns where the cleaning staff lived, so that I might witness the corrugated zinc roofs and the un- dergarments drying in the open air. Yet what most interested me were the dozens of young children, scampering among the chickens and guinea fowl. I scrutinized them care- fully, wondering if one of these boys might somehow have acquired Fat or Thin from a cousin who lived further upstate. I had long ago given up hope of recovering both of my cats. My deal with the cosmos was that if one of them returned home, I would behave irre- proachably forever. Many nights, I lay awake in bed, trying to determine whether I would prefer the jovial, fun-loving Fat or the wise, worldly Thin. I was trapped forever in my own micro-version of Sophie’s Choice . What- ever the outcome of my fantasies, I ended up sobbing myself to sleep. I am self-aware enough to recognize that while stealing may be stealing, the loss of the rubber cats was far more than merely the loss of the rubber cats. My aunt had died, after all—or my grandaunt, to please the sticklers. Even at the age of six, I understood that this was the ultimate of all calamities, a disaster so unspeakably horrific that we pretend the suffering is bearable and struggle on with our lives. Many people close to me have died since that evening when my father explained that we wouldn’t be visiting Miami Beach anymore, but I’ll never shake the genuine terror I felt when he revealed the true course of human events. I’d been introduced to the

26 WESTONMAGAZINEGROUP.COM

ghastly secret that separated the adults from the children : Homo sapiens were like rubber cats. You could return to your motel room one night to find them gone forever. M Y AUNT WAS one of six siblings, all deceased, only two of whom produced biological chil- dren. One brother, Harry, eloped with a non- Jewish woman and was banished from the life of the family forever. A second brother, Mor- ris, traveled by train to California at the end of World War II—and his children, in perpetual exile, are prosperous restaurateurs in Los An- geles. While I think of Emma’s sister, Ida, as my grandmother, she is technically my moth- er’s stepmother. (My biological grandmother discovered a lump in her breast in 1953 and was sent home from the hospital to die.) The comedian Jerry Lewis is a distant cousin, as was the stage actor, Bert Lahr, but neither Lewis nor Lahr’s son, John, have answered my multiple letters. I mention all of this to emphasize how few visitors come to Aunt Emma’s gravesite at Mount Ararat, in Queens, where she is buried alongside her parents and thousands of unfor- tunate strangers. When I visit, on a warm au- tumn afternoon nearly twenty-five years after her death, the markers are overrun with desic- cated vines and thorny creepers. It is amazing how little I know of my aunt. She was born in 1898 and worked her entire adult life as an executive secretary at the Al- lied Chemical & Dye Corporation. She never married. As far as my surviving cousins recall, she never dated. Most of her time was spent in the company of another single woman named Alice McCarthy, but whether they were merely friends, or romantically involved, is a mystery lost to the ages. What I do re- member are visits to her single-occupancy apartment in the old Sherry Netherland Ho- tel, and how she showed me a paperweight made from glass-encased butterfly wings, and one time she called me on the telephone and I innocently nodded my head to answer her questions. And I remember vividly the eve- ning she gave me Fat Cat and Thin Cat, after a quiet afternoon in which I downed numer- ous glasses of chocolate milk and she nibbled fruit-flavored baby food, the only meal her esophageal strictures permitted. That is all I remember of my grandmother’s eldest sister. Yet I still love this octogenarian spinster, who is now but a smattering of flashbulb memories in my consciousness, an image of a perpetu- ally impish woman with dimpled cheeks and

appropriated toothbrush. I was thinking of my long lost friends. My plan was to scour the city, making in- quiries of desk clerks. Yet what could I possibly ask? Do you recall if I left a pair of rubber cats here thirty-two years ago? Would you mind if I asked your housekeeping staff if they’d stolen my toys? As I drove past the Pelican Island Wild- life Refuge and the Kennedy Space Center, the absurdity of my scheme grew increasingly clear to me. The woman who had made off with my prized possessions would be long-since re- tired. Or worse. Her son might well have a six- year-old boy of his own. Most likely, the motel itself had been purchased by a national chain and then sold off again in a series of complex transactions that might well have concluded with a wrecking ball. The bottom line was that any sane motel clerk would have laughed me out of his lobby before I made it within shout- ing distance of a housekeeper. I would have had as much luck convincing Dellwood to put the cats’ photographs on its milk cartons. So I turned my car around and drove back—to my bare motel room, to the life I lead without my childhood toys. The irony, I realize, is that if I could find the grown man who’d been that deprived child, I would let him keep the cats. Gladly. I can’t say I would have at the age of fifteen or even at twen- ty-five—but as a thirty-four-year-old university professor, I’ve finally found enough peace in life to forgive the misguided motel maid who did me a small injustice a quarter of a century ago. Honestly, I don’t even want to see the cats again. Fat and Thin are far more vivid in my memory than they could ever be on a stranger’s shelf—or even, for all I know, on his pillow. So what do I want from this man whom I will never meet— this man who probably doesn’t even know that I exist—this man who has never even once asked himself where his mother or grandmother found the toys she brought home from work? All I want is to see who he is—to discover what became of the boy whose mother gave him a pair of rubber cats, one fat, one thin, on a fateful au- tumn night in 1980. That’s what I want to ask him: Did they change his life as much as they changed mine? Jacob M. Appel’s most recent books are a collection of essays, “Phoning Home,” and a short story collection, “Scouting for the Reaper.” He is Assistant Professor of Psychiatry at theMount Sinai School of Medicine, where he teaches medical ethics and creative writing. *

a penchant for turquoise hats. I remember loving her and I remember her loving me. I still own the butterfly paperweight, one of the few possessions I carry with me from apart- ment to apartment. Alongside this heirloom, there is always an empty space on the shelf, a final resting place perpetually waiting for Fat or Thin. I am like a war mother, keeping free a chair for her missing son. At some point reason eclipses hope, but the opening must remain as a tribute to the long departed. T WO MONTHS AFTER I visited my aunt’s gravesite, I found myself once again on the east coast of Florida for the wedding of a childhood friend. I made the terrible mistake of staying in the Best Western at 1505 Belve- dere Road in West Palm Beach—an error I wish to encourage all readers of this essay to avoid. The motel appeared a suitable enough lodging at first glance—not too pricey—al- though the soda machines didn’t work and assorted household debris floated atop the pool. Lulled into lowering my guard by the lush, subtropical air and the swaying palms, I took the risk of packing only my computer into my trunk and leaving my other belong- ings inside the motel room while I attended the nuptials wearing a tuxedo. How could I ever have anticipated that the housekeeping staff would confuse the day of my departure? When I returned at two a.m., feeling festive but fatigued to the bone, I discovered that the maid had turned over the room in my ab- sence. She’d taken with her my beach clothes, my toiletries, even the prescription medica- tion that I take before traveling on airborne coffins. To this day, despite my repeated pleas, the motel has proven unable to track down my missing belongings. I will not keep an open space of my shelf for them. Of course, as a result of this screw up, I found myself with a day to kill on the Florida coast, lacking so much as a bathing suit to wear or a paperback novel to read. Seized with an irratio- nal impulse, I immediately phoned my mother in New York and asked her for the name of the motel where the rubber cats had disappeared. Which rubber cats? she asked. When she final- ly understood what I wanted to know, it be- came clear that she possessed only the faintest memory of the entire episode. My father didn’t remember the rubber cats at all. That left me no choice but to drive up the seaboard toward St. Augustine—intend on stopping at each roadside motel. I didn’t care about my recently

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the local scene

Curator’s Corner byMaira Kalman A celebration of treasured objects Poetry by Vivian Shipley If You Are inManhattan After the First Snow Next Stop Grand Central by AlineWeiller Meeting at the Information Booth NYCRemembered EarlyWall Street From the Sidelines by Natalie Axton New York’s Curling Clubs Roomwith a View byRev. Jen Tribeca’s teeny Mmuseumm Arts Exhibits and performances Gallery Celebrations of film, music, art and gardens 34 38 39 40 42 44 46 47

CURATOR ’ S CORNER

FROM THE BOOK MY FAVORITE THINGS BY MAIRA KALMAN. COPYRIGHT © 2014 BY MAIRA KALMAN. REPRINTED BY PERMISSION OF HARPER DESIGN, AN IMPRINT OF HARPERCOLLINS PUBLISHERS

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poetry

IF YOU ARE IN MANHATTAN AFTER THE FIRST SNOW BY VIVIAN SHIPLEY

You might show off more of your French, recall the color noir to describe the pavement. A virtuoso, you could spout off

Wait for the moon to sculpt the fire hydrant into a statue of frost. Everyone will be marooned; everything will appear to have

about modern art, compare the radiance of light, its harmony to Robert Ryman’s show at MOMA. Pulled from his hands

the same weight when covered. It’s the regularity, the sameness, the smoothness that does it. Any solid color will do: brown earth

by the moon, big white canvas was cold, insistent, bleached of stained life. Covered with paint or snow, sidewalks will have

under the woman shoveling in front of her house on 64th Street opposite Versace, black wool coating a man by Federal Hall,

no muck, no stench, gut of dog, or crevice for dropping of horse to rot where goldenrod seeds might wedge. Flakes of snow,

white clouds embracing another walking on lower Broadway near Chambers Street. Gloved hands mask his face. Snow makes

milkweed floating like voices, parachute with nowhere to root. Powdered over with snow, the skin of the earth is made up, pores

visible shapes you wouldn’t ordinarily see. What could be a car is parked in front of Trinity Church near Wall Street, but it might

filled in like Garbo’s face, forever smiling, forever mysterious. You will never question it or need to find words to penetrate

be a tank with gun turrets removed, or an elephant kneeling for a master to mount. Blinding you, rags of smoke will steam from

such beauty, such perfection. Whether the cold silence of snow is crisp or light as shredded sponge, your soles must press down

subway steps. Inhale, then open your mouth to catch snowflakes, stars that freeze to beat on your tongue. If you pass trees, they

to leave an imprint. Leaving no trace of scent for a trail, you may walk for days in the middle of emptied streets never shadowed,

will bow, bent in prayer, shrubs will be shrouded pilgrims. There is nothing to do. Learn to be wind as snow swirls. Drifts will rise

only surrounded by snow that holds the seen and the unseen. Take away color and there is only the beauty, shapes that might

like bridesmaids, with the grace of symmetry in measured steps two by two up the aisle. Molded as if by water sanding azur sea

be tin cans, the Post tied into plastic covered bales, a dog, black garbage bags or a woman in a red plaid coat curled as if asleep.

glass, curves will have all edges worn. Sunk into a warm bath, nothing will be hard or guttural like throaty Russian consonants.

Vivian Shipley’s 10th book, The Poet, is forthcoming in 2015 from Southeastern Louisiana University Press.

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next stop: GRAND CENTRAL

INTRANSIT by Aline Weiller

T ake picture?” said an Asian woman beside her beau, tour- ists in Grand Central Station. They were young, she, with a blue linen scarf wrapped loosely around her neck, he, sporting thick black glasses and a grey down vest. “Yes,” I said, followed by a closed-mouth smile, shedding the social shield I don in New York. With arms wrapped waist-high, they posed for the shot, their stillness a sharp contrast to the blurred energy in the backdrop. I returned their phone and the brief encoun- ter passed; I’d solidified their memory. My heavy bag slid to the floor.With nearly an hour before my train, I sat cross-legged at the entrance of Track 26, contemplating days spent in the Main Waiting Room, Grand Cen- tral’s very core. In our 20s, my younger sister, Lois, and I often met my father here after work to board a Connecticut-bound train. “Meet me at the Information Booth. We’ll catch the 6:07,” he’d say. Though he’s gone, I still hear his voice when I grace that spot. It remains a symbolic re- minder and I continue our tradition, meeting friends at the circular booth. A sip of bottled water transported me back to a hot day in June of 1987, another Grand

IN THE HEART OF MANHATTAN, GRAND CENTRAL IS KNOWN AS THE QUINTESSENTIAL HUB, A LANDMARK AND MECCA OF TRANSPORTATION. THOUGH IT IS SO MUCH MORE.

Central moment. I was with my college boyfriend, Nick, at the foot of the steps leading to Vanderbilt Avenue. He was en route to his first, post-graduation interview and stood sweating in a navy pinstriped suit, the sole outfit in his work wardrobe. He loosened the tie we’d bought at Macy’s the day before. “Lemme see your resumé,” I said. Nick obliged. I found a typo and should’ve kept silent, but didn’t. He was thrown and didn’t land the job. I winced while that memory was replaced by another. I recalled meet- ing long-distance friends for a drink at The Campbell Apartment, to the left of Grand Central’s famed Oyster Bar. With its dress code and jazz-filled atmosphere, the upscale bar housed a colorful group of guests. Scores of slick patrons were perched on bar stools, while others lounged on velvet couches. A gaggle of girls, we sipped designer drinks, remi- nisced and exchanged tales of life since our last visit. Similarly, that night I waited for a train home, to carry me from that Grand Central vignette to the suburbs, worlds away.

* In the heart of Manhattan, Grand Central is known as the quintessential hub, a landmark and mecca of transportation. Though it is so much more. It’s a temporary home to millions–some anxious, seeing specialists for second opinions, others arriving with hopeful anticipation for a blind date or lovers’ reunion, still others apathetic, approaching their mundane nine-to-five grind. It is a place of connections. It serves as a respite in which to replenish, a famil- iar pit stop for the weary. Grand Central is a constant among ever-changing circumstances, a makeshift friend upon which you can depend. Eight more minutes, I headed for the platform. Huddled pockets of commuters scrolled their phones, then rushed through open doors. I vied for a seat and found one facing forward. Aline Weiller is an essayist, journalist and guest blogger who has been pub- lished in Brain, Child: The Magazine for Thinking Mothers, Your Teen, Scary Mommy, Grown and Flown and Great Moments in Parenting. She’s also the CEO/founder of Wordsmith, LLC, a public relations firm based in Connecticut, where she lives with her husband and two sons.

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nyc remembered

Reprinted with permission from Early Wall Street: 1830-1940, by Jay Hoster. Available from the publisher online at www.arcadiapublishing.com or by calling 888-313-2665.

EARLY WALL STREET: 1830-1940 by Jay Hoster

Traces the development of New York’s financial district, from the low-lying city of the early 19th century, through the building boom of the 1870s and 1880s, and into the skyscraper era.

Frank Leslie’s Illustrated Newspaper showed its readers the interior of the New York Stock Exchange in 1865. Stocks were called one at a time, and while some members stood, others remained in their seats. The NYSE went to continuous trading in 1871, although a membership in the organization is still referred to as a “seat.”

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It was front-page news whenever the stock market went haywire. Frank Leslie’s Illustrated Newspaper brought this scene to its readers in 1872. A buying frenzy was created in the stock of the Erie Railroad Company following the ouster of Jay Gould as the company’s president. The paper noted the following about investors: “[They] acted as if they were insane, and had lost all restraint. If the vicinity of the Stock Exchange is a busy one ordinarily, the scene then was beyond description. Even age was not proof against the infection. Gray-headed men rushed from the Exchange to their offices, and from their offices back to the Exchange, in common with the boys who act as messengers for the brokers. Time never in their eyes had the value that it possessed then to them. A moment gained was a fortune won. Omnibuses, hacks, drays, trucks, wagons, were utterly disregarded. People ran under the horses, and narrowly escaped.”

When all else was madness, the telegraph operator on the floor of the New York Stock Exchange remained calm as he transmitted stock prices. Frank Leslie’s Illustrated Newspaper noted, “He carries his instrument on his arm, as a conductor does his lantern. The connection between the wires and the instrument is by means of a flexible wire, which gives the operator freedom to move about near the presiding officer’s desk. He wears a straight-brimmed hat, and has a sphinx-like countenance.”

JAY HOSTER has been collecting Wall Street material for more than 20 years. As a member of the Museum of American Finance, he has written articles for the museum’s magazine on the development of the term blue chip and the background to an investing classic, Fred Schwed Jr.’s Where Are the Customers’ Yachts?

In the midst of the chaos, messengers were trying to catch the attention of their employers on the floor of the exchange.

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from the sidelines

ON THE ICE, SHAKEN NOT STIRRED by Natalie Axton

ONE OF THE MOST important rules of curling is that the winners console the losers by buying them a round of drinks. Tonight, still winded after my first match at the Ardsley Curling Club, I see how important this rule really is. My team lost, and I’m not sure how or by how many points. I’ve spent the past two hours running up and down a sheet of ice with a broom trying not to fall. Despite my best attempts at getting acclimated to the space – a kind of cold white bowling alley – my eyes are still whiteblinded and my feet are still sliding. Once we stopped “playing” I realized I was starved. Dutifully, gentlemanly, my equivalent on the opposing team, George, asks me what I want to drink. I have no idea. “I’ll take a beer, any beer,” I mumble. I started curling this year on a whim and I didn’t know what to expect. Curling isn’t as high profile in the United States as it is in Canada and references to it draw

blank stares or worse. “You’re doing what?” my mother asked me after I told her I had decided to try it. A coworker said nothing, just looked at me askance and then confessed she and her friends made fun of the curlers during the Winter Olym- pics. She wasn’t alone. Curling gets the most exposure in the United States during the Olympics. It’s been an event in the Winter Olym- pic Games since 1998. And so every four years viewers and journalists “discover” curling. Isn’t it funny? Doesn’t it look strange? Who are these silly people who call themselves athletes? Curling, however, has a long history in the United States and much of that history is centered around New York. The game is a Scottish import that first came to Detroit, then spread to and flourished in New York City. (In philosophy, curling is very much like that other Scottish sporting in- vention, golf.) Early clubs included the St. Andrew’s, the New York Curl- ing Club, the Yonkers, the Thistles, and the Caledonians, and many of them met on the frozen ponds of Central Park for matches or ‘bonspiels.’

LEFT: GREAT CURLING MATCH ON THE CENTRAL PARK POND

BETWEEN THE ST. ANDREWS AND CALEDONIAN CLUBS.

FRANK LESLIE’S ILLUSTRATED NEWSPAPER, FEBRUARY 17,

1872 COURTESY OF THE NEW-YORK HISTORICAL SOCIETY.

According to the New York Historical Society, there was a large enough body of curlers in the United States by 1867 to establish a Grand Na- tional Curling Club of America with headquarters in New York City. In 1869 a founding member of the St. Andrew Curling Club created a gold medal to be awarded to the best curling club in the nation. Still played today, the Gordon Grand National Bonspiel is one of the oldest sporting events in the country. (It’s preceded by the America’s Cup yacht race and a summer bonspiel called the Bell Quoit Silver Medal.) The Ardsley Curling Club, (ACC), located on the grounds of the Ard- sley Country Club, is a legacy of this early curling history. The club was founded by a member of the St. Andrews Club in 1932. The clubhouse at the Ardsley Country Club opened in 1967. The New York Caledo- nians relocated to Westchester in order to share space with ACC. The other original clubs are gone. George has gone into the warm room, the club’s cozy living room that

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overlooks the ice, to get my drink, and I’m watching Dino and Jim clean the ice after our game. The ACC has three sheets. We’ve been playing on the far right sheet and are the last curlers to finish. The two men tell me they’ve been curling together for five years and that explains the repartee they had during the game. Dino’s been telling me to sweep the ice hard on Jim’s throws so that “he’ll feel better about them” not making it to the house, the scoring section of the ice sheet. Jim has explained to me where to stand during the game and how to follow the strategy. I was playing lead, the first person to deliver the rock. Part of my job was preparing the rocks for the skip, who has to travel the length of the ice to get to the hack, a kind of starting block. I came to the club during a post-Winter Olympics open house. ACC has two open houses a year. Anyone curious about the sport can register for a 30-minute slot on the ice and learn from members how to safely

working. When he was free, George would come to the club to watch. Eventually, he decided to try it. James, another married curler at the table, asks, “Why is it so much fun? My wife and I couldn’t figure it out.” Driving home from curling in their first year they made a list of all the ways curling was fun. Meeting new people topped the list. So did making your shot. In addition to married couples, there are lots of Canadians. (Perhaps Jane’s strategy isn’t so crazy.) We have at least three sitting at my table dur- ing dinner, causing one curler to launch into the old joke, “Did you hear how many Canadians it takes to form a world curling league?” His tone is light but his point is serious: Canadians dominate the world circuit. In Canada it’s possible to be a professional curler. Here in the United States, even the Olympic team is fielded by very talented amateurs. The Ardsley Club has its fair share of elite curlers and has hosted qualifying rounds

get on and off the ice, how to throw the rocks, and how to sweep. In a non-Olym- pic year the open house might attract 30 people, according to George. In the open house held after the 2014 Sochi games, 900 people showed up. About a third of those, including myself, signed up for Learn to Curl, a package of more in-depth lessons that include membership and en- rollment in a league. (The club also offers open house rentals for corporate events and private parties.) That was in the spring. In the fall I signed up for the Saturday afternoon league, which pairs new curlers with more experienced team members and includes dinner. This league demonstrates what ACC president Jeff Casper wrote to all of us new members: curlers are incredibly social. After the game the curlers retreat to the warm room for dinner. Tonight, dinner has been prepared by Jon and Judith, a married couple who have been curling for a few years. It’s a pork and cabbage dish and it’s been warming in the downstairs kitchen. Those of us who want to have

for the US Olympic trials. The near wall along the ice is lined with banners con- gratulating the club’s more accomplished members, including Bill Stopera, a U.S. men’s national champion in 2012. Dur- ing dinner people come by and tell me to watch Joyance Meechai, the 2014 US mixed doubles champion who is practic- ing on the ice while we eat. The form, the control, the focus are all exact. “They’re playing a different game,” says George of the club’s elite curlers. What he says makes curling so enjoyable is that “Almost anyone can learn to curl in an hour or so.” But this statement is greeted with rounds of disagreement. Ev- eryone acknowledges that it’s easy to pick up the basics, but mastery takes much more dedication. League organizer, Lau- ra Hill, explains that like anything else, you’ll get more out of curling with lots of practice and better fitness. But still the naysayers at the table insist, “You can be old and fat and still curl!” This is pointed to as one of the pluses of curling. And so I have to ask: do

dinner donate $6 to the pot. The members who made dinner are re- imbursed. The rest goes to the bartender. (The bar is managed by the Ardsley Country Club.) During dinner I ask my fellow league members what brought them to the sport. “I curl because I’m looking to meet a big, hot Canadian,” jokes Jane, a thirty-something woman from New Jersey. Jane, the most stylish curler in our league, has short dark hair with green streaks through it and wears Van high top sneakers she had customized into curling shoes. Armen, a middle-aged curler and film buff originally from the Bronx, says he looked up curling years ago in the Encyclopedia Brittanica. “I wanted to know, who brings brooms to a sporting event?” he laughs. Once he tried it, he was hooked. Many of the curlers joined because of their wives. This is the case for George, a retired lobbyist. George’s wife started curling when he was still

the social curlers consider curling a sport, or a game? “It’s a sport! It’s in the Olympics, so it’s a sport,” insists one member. “But what, really, is a sport?” asks another. Dino pipes up: “I got into an argument with a woman about whether curling was a sport. I told her that anything that requires physical dexter- ity and is scored is a sport. Running is not a sport. It’s an activity.” The woman was a triathlete, and she took umbrage. “So by that definition, golf is a sport?” asks one man who questions the dexterity required of golfers. “I was watching sport fishing on television the other day,” says John. “They catch the fish, measure them, then throw them back in.” “Sport fishing is de facto SPORT fishing!” The beer tastes very good.

*

Natalie Axton is a writer in North Salem, New York.

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